Creating an interesting and inviting
composition is the key to pleasing illustrations; images that are strongly
composed with well-solved elements will draw a viewer into them and hold the
eye while the details you have spent so much time slaving over are taken in.
Conversely, a badly composed image can
undermine even the finest painted subjects, generating a subjective feeling
that something is wrong. Many may not be able to put their finger on why, but
the image will be less pleasing and read poorly, which, ultimately, will not
hold up to scrutiny. The next few pages contain 20 points that I consider to be
some of the most important parts to composition, the rules I lean on
subconsciously every time I pick up my brush. Want to know more? Read on…
From issue 8. There are no support files for this workshop.