Modern computer programs such as Photoshop
and Painter, and accessories like Wacom tablets, have made the world of digital
art near boundless. However, there are certain limits even to these powerful
tools. Although most techniques and textures can be effectively replicated
digitally, the process of creating them is sometimes artificial, forced, and often
unnecessarily time consuming when we consider that they are inherent and
natural traits of the traditional materials. It is these natural traits that I
strive to preserve in my own art while combining them with the limitless
choices of digital colours. The digital tools also offer the luxury of
experimenting without the fear of ruining precious artwork.
In this tutorial I will explain the
technique which has, over many years of trial and error, evolved into a very
effective method for creating painted illustrations through the digital
colouring of traditional artwork. This technique preserves all the textures and
analogue feel of the original artwork.
I like to keep my technique simple and
straightforward and rely on my skills and artistic choices, rather than tools, to
dictate the outcome. As you will see from the tutorial, I tend to stay away
from most of the advanced options of Photoshop and stick with the more basic
features. This not only keeps the process streamlined, but it also sets certain
limitations on the tools that preserve the purity and spontaneity which can
often be lost in overworking.
While the technique is advanced and
requires strong understanding of light, shadow and colour, it only requires
moderate knowledge of Photoshop.